The water margin, moral criticism, and cultural confrontation

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Abstract

The Water Margin (Shuihu Zhuan 水滸傳) is one of the four great classical novels of China. It describes how people from different walks of life were driven to become outlaws as a result of poor governance and widespread corruption. These outlaws have been regarded by some commentators as heroes, despite the fact that they perform wanton killing, over retribution, and cannibalism. Liu Zaifu 劉再復 argues that the novel has contributed to the moral downfall of the Chinese people. In this essay, I put forward various arguments in objection to Liu. I think Liu’s argument is unsound, partly because he fails to address the nature of the cultural confrontation between modern readers and The Water Margin. By conducting an evaluation of Liu, I also consider a range of issues concerning how we may understand The Water Margin, and how the novel may morally relate to us in modern society. Copyright © 2016 Springer Science+Business Media Dordrecht.
Original languageEnglish
Pages (from-to)95-111
JournalDao
Volume16
Issue number1
Early online dateDec 2016
DOIs
Publication statusPublished - Mar 2017

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Moral Criticism
Confrontation
Water
Outlaw
Governance
Reader
Commentators
Retribution
China
Conducting
Killing
Cannibalism
Corruption
Novel
Evaluation
Modernity
Downfall
Hero

Citation

Sin, w. (2017). The water margin, moral criticism, and cultural confrontation. Dao, 16(1), 95-111.

Keywords

  • Cultural confrontation
  • Moral relativism
  • LIU Zaifu 劉再復
  • The Water Margin
  • Literary criticism