The body and female identity in Eithne Strong's flesh: The greatest sin

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Abstract

Bodily discourse, constantly appropriated as a symbol of Irish famine and hunger in the wake of British maladministration of the land and its people since the Great Famine, is prevalent in Irish culture. However, this bodily discourse is dominated by nationalistic and patriarchal narratives. An increasing number of women in contemporary Ireland look at themselves anew through their own bodies. Through the reading of Eithne Strong's poetry collection, Flesh: The Greatest Sin (1980), this paper discusses how the conflation of body and sin is entangled in the Irish context, how the female writer manages to untangle the fine line fabricated between the two categories and reaffirm her female identity simultaneously, and finally the significance of such an attempt in the history of Irish literature. Copyright © 2017 UKM Press, National University of Malaysia (UKM).
Original languageEnglish
Pages (from-to)157-169
Journal3L: Language, Linguistics, Literature
Volume23
Issue number4
DOIs
Publication statusPublished - 2017

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discourse
hunger
poetry
Malaysia
Ireland
symbol
writer
narrative
history
Flesh
Discourse
literature
Irish Culture
Hunger
Famine
Conflation
History
Irish Literature
Poetry Collections
Symbol

Bibliographical note

Chang, H. (2017). The body and female identity in Eithne Strong's flesh: The greatest sin. 3L: Language, Linguistics, Literature, 23(4), 157-169. doi: 10.17576/3L-2017-2304-12

Keywords

  • The body
  • Female identity
  • Eithne Strong
  • Flesh
  • The greatest sin