Abstract
This chapter builds a case for seeing moving images as a vehicle for the realization of health and well-being, a public value according to Daniel M. Hausman. It offers an account of why feel-good films have a poor reputation and to consider the defining features of two sub-categories belonging to the genre-the standard feel-good film and the ethical feel-good film. The sense of well-being or happiness derived from a standard feel-good film is typically experienced on an immediate, first-order basis, without a second-order affirmation of the experience in question. The chapter explores the connections between positive emotions and health. Positive emotions are a feature of both sub-categories of the feel-good film, albeit in different ways that do ultimately make a difference. The chapter draws on positive psychology to make conceptual sense of the claim that the ethical feel-good film deserves special attention in the context of the cinema’s contributions to the public value of health. Copyright © 2022 John Wiley & Sons Inc.
Original language | English |
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Title of host publication | A companion to motion pictures and public value |
Editors | Mette HJORT, Ted NANNICELLI |
Place of Publication | USA |
Publisher | Wiley |
Pages | 558-575 |
ISBN (Electronic) | 9781119677154 |
ISBN (Print) | 9781119677116 |
DOIs | |
Publication status | Published - 2022 |
Citation
Hjort, M. (2022). The benefits of genre: Feel-good films as a path to health and well-being. In M. Hjort & T. Nannicelli (Eds.), A companion to motion pictures and public value (pp. 558-575). Wiley. https://doi.org/10.1002/9781119677154.ch25Keywords
- Ethical feel-good film
- Feel-good films
- Positive emotions
- Positive psychology
- Public value
- Well-being