Abstract
This article analyzes Haruki Murakami’s 1Q84 from the perspective of narrative embedding. Drawing on narrative theories of Todorov, Genette, Rimmon-Kenan, Nelles, and others, it examines how the author has manipulated embedding to strengthen his themes and to create a complex novel world. The discussion focuses on two types of embedding repeatedly used in the novel: dream narrative and literary references. It argues that embedding as a narrative strategy has an inherently paradoxical nature: embedded stories advance the action in the story on one hand and retard its development on the other; they enrich the main story and yet at the same time point at a lack of self-sufficiency. This article contemplates embedding in 1Q84 in relation to the metafictional characteristics in Murakami’s works. In dedicating itself to the subordinate structures in a novel, this article aims to show that non-core, secondary descriptions and stories are essential parts that shore up a novel’s world. Copyright © 2016 Taylor & Francis, Inc.
Original language | English |
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Pages (from-to) | 426-436 |
Journal | Critique: Studies in Contemporary Fiction |
Volume | 58 |
Issue number | 4 |
Early online date | Nov 2016 |
DOIs | |
Publication status | Published - 2017 |
Citation
Yeung, V. (2017). Stories within stories: A study of narrative embedding in Haruki Murakami’s 1Q84. Critique: Studies in Contemporary Fiction, 58(4), 426-436. doi: 10.1080/00111619.2016.1242474Keywords
- Haruki Murakami
- 1Q84
- Narrative embedding
- Narrative theory
- Dream narrative
- Literary references