Abstract
Se investigaron las concepciones de profesores de piano acerca de la selección de contenidos, en la enseñanza de partituras musicales, de acuerdo a dos variables: curso en que se enseña y años de experiencia docente. En el estudio participaron 45 profesores de Grado Elemental y/o Medio. Los datos fueron recogidos mediante un cuestionario escrito y analizados mediante lexicometría y análisis categorial. Los resultados indicaron que la «Concepción integradora entre fines y medios» que propone el curriculum vigente (LOGSE, 1990) no ha sido asumida de forma generalizada, pues una gran parte de los docentes manifestaron «Concepciones centradas en los medios ». Estos hallazgos muestran que la enseñanza y el aprendizaje instrumental sigue concibiéndose desde teorías de naturaleza directa e interpretativa, siendo una minoría los profesores que asumen posiciones constructivas (Torrado y Pozo, 2006). Se discuten las implicaciones teóricas y educativas derivadas de estas conclusiones.
Piano teachers' conceptions about the selection of learning outcomes in teaching musical scores were investigated according to two variables: level being taught and years of teaching experience. Forty-five teachers from Elementary and Intermediate degree took part in the study. Data was gathered through open-response questionnaires, and/or analysed by means of lexicometry and categorical analysis. The results showed that the «Integrated conception between aims and means» proposed in the current curriculum (LOGSE, 1990) has not been adopted generally by teachers since most reported «Conceptions focused on means». These findings indicate that teaching and learning music performance is still conceived from direct and interpretative theories, while teachers who adopt constructive positions are a minority (Torrado and Pozo, 2006). Theoretical and educational implications are discussed. Copyright © 2008 Fundación Infancia y Aprendizaje.
Piano teachers' conceptions about the selection of learning outcomes in teaching musical scores were investigated according to two variables: level being taught and years of teaching experience. Forty-five teachers from Elementary and Intermediate degree took part in the study. Data was gathered through open-response questionnaires, and/or analysed by means of lexicometry and categorical analysis. The results showed that the «Integrated conception between aims and means» proposed in the current curriculum (LOGSE, 1990) has not been adopted generally by teachers since most reported «Conceptions focused on means». These findings indicate that teaching and learning music performance is still conceived from direct and interpretative theories, while teachers who adopt constructive positions are a minority (Torrado and Pozo, 2006). Theoretical and educational implications are discussed. Copyright © 2008 Fundación Infancia y Aprendizaje.
Original language | Spanish |
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Pages (from-to) | 17-34 |
Journal | Cultura y Educacion |
Volume | 20 |
Issue number | 1 |
DOIs | |
Publication status | Published - 2008 |
Citation
Bautista, A., & Pérez-Echeverría, M. D. P. (2008). ¿Qué consideran los profesores de instrumento que deben enseñar en sus clases? Cultura y Educación, 20(1), 17-34. doi: 10.1174/113564008783781477Keywords
- Concepciones de enseñanza y aprendizaje
- Selección de contenidos
- Conservatorios de música
- Profesores de interpretación
- Cambio educativo
- Alt. title: What do music performance teachers consider that they should teach in their classes?
- Teaching and learning conceptions
- Selection of contents
- Music conservatoires
- Performance teachers
- Educational change