From Jonkonnu and Son de los diablos to Congo Square and Son Jarocho: Global histories of the Jawbone/Quijada as a black musical instrument

Research output: Contribution to journalArticlespeer-review

Original languageEnglish
Pages (from-to)287-326
JournalAmerican Music
Volume41
Issue number3
DOIs
Publication statusPublished - Oct 2023

Citation

Petrulis, J. (2023). From Jonkonnu and Son de los diablos to Congo Square and Son Jarocho: Global histories of the Jawbone/Quijada as a black musical instrument. American Music, 41(3), 287-326. https://doi.org/10.5406/19452349.41.3.01