從王國維的悲劇美學看《玩偶之家》的真善美

Research output: Contribution to journalArticle

Abstract

王國維運用西方“美學”概念,再結合中國傳統文化裡的美學理念,對“悲劇”進行繼承和改造,形成新的中國式悲劇美學思想,並把中國式的“美學觀”推向世界。本篇主要從“真”——“人之大患在我有身”的體驗,“善”——無用之用及道德崇高的美學體現和“美”——“徹頭徹尾”及“第三種”悲劇的營造這三方面分析易卜生《玩偶之家》中的真善美。
Wang Guowei used the concept of western aesthetics, and combined it with the aesthetic idea of Chinese traditional culture, inherited and transformed the tragedy, formed a new Chinese-style tragic aesthetic thought, and promoted the Chinese tragic aesthetic to the world. This article will analyze Ibsen’s A Doll’s House mainly from the three aesthetic aspects, they are the truth, "people suffering from own body ", the goodness, "the aesthetics of uselessness and lofty morality", and the beauty, "the outright tragedy aesthetics and the third one". Copyright © 2017 重慶師範大學.
Original languageChinese
Pages (from-to)46-51
Journal重慶師範大學學報(哲學社會科學版)
Volume2017
Issue number5
Publication statusPublished - 2017

Citation

賴志成(2017):從王國維的悲劇美學看《玩偶之家》的真善美,《重慶師範大學學報(哲學社會科學版)》,2017(5),頁46-51。

Keywords

  • 王國維
  • 悲劇美學
  • 《玩偶之家》
  • 真善美
  • Wang Guowei
  • Tragic aesthetics
  • A Doll’s House
  • Truth
  • Goodness and beauty
  • Alt. title: A brief analysis of A Doll’s House’s truth, goodness and beauty from Wang Guowei’s tragic aesthetics