基於知覺實驗的深圳新粵語聲調格局研究

梁源, 歐靜樺

Research output: Chapter in Book/Report/Conference proceedingChapters

Abstract

本文通過知覺實驗來探討深圳新粵語者對聲調的判別和歸類過程,以此為基礎,探討被試者心理上的聲調格局。結果顯示:在深圳新粵語者的知覺中,標準粵語(目標粵語)的六調類正合併為四調類,甚至最終可能只有“高”、“低”、“升”三個調類;“域” (Register) 概念正在消失。
This paper sets out to investigate the discrimination and categorization of Cantonese tones by speakers of the new Cantonese community in Shenzhen in order to illuminate the tonal system in their perception. Results show that in the perception of these speakers, the six tone categories of standard Cantonese (target language) are undergoing merging into four categories, even to the extent that only three categories “High”, “Low” and “Rising” exist if mergers continue. That is to say, “Register” as a distinguish feature in standard Cantonese, tend to be lost in the new Cantonese community at issue. Copyright © 2015 商務印書館.
Original languageChinese
Title of host publication《語言學論叢》
Editors 北京大學中國語言學研究中心
Place of Publication北京
Publisher商務印書館
Pages159-173
Volume第四十七輯
ISBN (Print)9787100098298
Publication statusPublished - 2013

Citation

梁源和歐靜樺 (2013):基於知覺實驗的深圳新粵語聲調格局研究,輯於北京大學中國語言學研究中心編《語言學論叢》第四十七輯,(頁 159-173),北京,商務印書館。

Keywords

  • 聲調的知覺實驗
  • 調域
  • 聲調格局
  • 深圳新粵語
  • Alt. title: Tonal system in the new Cantonese community of Shenzhen: A perceptual experimental approach