Abstract
本文用生成的方法探討北京話連上變調。提出：（1）上聲連調只有一條基本規則，即“上+上→陽平+上”；（2）連上變調是在韻律結構上運行的；（3）北京話的韻律結構可以參考句法結構、依據制約條件（包括韻律結構的制約條件和介面制約條件）加以推算。根據韻律結構的組合疏密，從音步開始、由小至大反復運行基本規則，直至不再出現“上+上”的變調環境，便得到最後的變調結果。
This paper explains how, within a generative framework, tone sandhi in Beijing Mandarin is the result of (i) a single sandhi pattern, i.e.T3+T3→T2+T3; (ii) cyclically applying on prosodic structures which may be obtained from the interface constraints between syntax and prosody. As such, alternations recur starting from the terminal prosodic nodes and ending at the root node where no sandhi-triggering collocations remain. Copyright © 2006 中國社會科學院語言研究所.
This paper explains how, within a generative framework, tone sandhi in Beijing Mandarin is the result of (i) a single sandhi pattern, i.e.T3+T3→T2+T3; (ii) cyclically applying on prosodic structures which may be obtained from the interface constraints between syntax and prosody. As such, alternations recur starting from the terminal prosodic nodes and ending at the root node where no sandhi-triggering collocations remain. Copyright © 2006 中國社會科學院語言研究所.
| Original language | Chinese (Simplified) |
|---|---|
| Pages (from-to) | 151-163 |
| Journal | 中國語文 |
| Volume | 2006 |
| Issue number | 2 |
| Publication status | Published - 2006 |
Citation
梁源和黃良喜(2006)：北京話的連上變調，《中國語文》，2006(2)，頁151-163。Keywords
- 連上變調
- 韻律結構
- 制約條件
- 接口
- Alt. title: Third tone sandhi in Beijing Mandarin
- Tone sandhi
- Prosody
- Constraint
- Interface